J Audiol Otol.  2024 Jul;28(3):195-202. 10.7874/jao.2023.00262.

Effects of Metrical Context on the P1 Component

Affiliations
  • 1School of Digital Humanities & Social Sciences, Korea Advanced Institute of Science and Technology, Daejeon, Korea
  • 2Graduate School of Culture Technology, Korea Advanced Institute of Science and Technology, Daejeon, Korea
  • 3Center for Digital Humanities & Computational Social Sciences, Korea Advanced Institute of Science and Technology, Daejeon, Korea
  • 4Department of Otorhinolaryngology, Myongji Hospital, Hanyang University Medical Center, Goyang, Korea
  • 5Department of Otorhinolaryngology-Head and Neck Surgery, Samsung Medical Center, Sungkyunkwan University School of Medicine, Seoul, Korea

Abstract

Background and Objectives
The temporal structure of sound, characterized by regular patterns, plays a crucial role in optimizing the processing of auditory information. The meter, representing a well-organized sequence of evenly spaced beats in music, exhibits a hierarchical arrangement, with stronger beats occupying higher metrical positions. Moreover, the meter has been shown to influence behavioral and neural processing, particularly the N1, P2, and mismatch negativity components. However, the role of the P1 component in the context of metrical hierarchy remains unexplored. This study aimed to investigate the effects of metrical hierarchy on the P1 component and compare the responses between musicians and non-musicians.
Subjects and Methods
Thirty participants (15 musicians and 15 non-musicians) were enrolled in the study. Auditory stimuli consisted of a synthesized speech syllable presented together with a repeating series of four tones, establishing a quadruple meter. Electrophysiological recordings were performed to measure the P1 component.
Results
The results revealed that metrical position had a significant effect on P1 amplitude, with the strongest beat showing the lowest amplitude. This contrasts with previous findings, in which enhanced P1 responses were typically observed at on-the-beat positions. The reduced P1 response on the strong beat can be interpreted within the framework of predictive coding and temporal prediction, where a higher predictability of pitch changes at the strong beat leads to a reduction in the P1 response. Furthermore, higher P1 amplitudes were observed in musicians compared to non-musicians, suggesting that musicians have enhanced sensory processing.
Conclusions
This study demonstrates the effects of metrical hierarchy on the P1 component, thereby enriching our understanding of auditory processing. The results suggest that predictive coding and temporal prediction play important roles in shaping sensory processing. Further, they suggest that musical training may enhance P1 responses.

Keyword

Music; Auditory perception; Electrophysiology; Evoked potentials
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